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With Election Day in sight, there was a palpable sense of relief at an inner west Sydney early voting booth where I had volunteered over the past few weeks. It feels like a long campaign.

This ensemble piece ranges over a series of time zones, travelling from the near future to the early 20th century, mostly in Australia, but also the Ellis Island immigration centre in New York. Its main segment is a deceptively simple, kitchen-sink style, family drama in which home truths are exposed and conventional dishonesties unravelled.