Why will the generations born since the mid 1980s most likely be financially poorer than previous generations? Mick Bull looks at this and other questions posed by Alison Pennington in her new book Gen F’d?
Culture
The Circle of Silence is a work of witness, remembrance and hope, writes Leo Earle.
Simon Butler reviews Ian Angus’s new book, The War Against the Commons, which vividly retells the story of how land that had been shared for centuries was privatised by force and deception in England, Wales and Scotland.
As we prepare to join the global Palestinian diaspora in remembering the ethnic cleansing of 1948, Folke Bernadotte's personal story illuminates Zionism in action, writes Ken Blackman.
Film and TV writers began their strike on May 1 in Hollywood and New York, to demand a living wage and job security amid an explosion in profits in the streaming era, reports Malik Miah.
Many US states have passed laws penalising companies that use boycotts to pressure Israel on its human rights record, writes Selma Dabbagh. Julia Bacha’s 2021 documentary Boycott tells the story of these efforts to stifle dissent.
The remarkable and outstanding Harry Belafonte died on April 25 at the age of 96. He lived a full life as a political activist and encouraged young people to be more angry and rebellious, writes Malik Miah.
Mat Ward looks back at April's political news and the best new music that related to it.
Saul Griffiths has demonstrated that 100% renewable energy would help the US and Australia not reach the climate targets, surpass them and raise export earnings. Elena Garcia reports.
Richard Gott's 2011 book focuses on the revolutionaries and rebels who stood up to the British Empire. Alex Salmon reviews.
Steve O’Brien caught up with David Bradbury, independent filmmaker and twice Academy Award-nominated director and producer, at the 2023 Climate Camp in Newcastle. Bradbury’s latest film, The Road To War, is currently being screened around Australia.
An animated short film made by a group of women and artists in Rojhelat (East Kurdistan) in Iran will screen at the Love, Art and Revolution Film Festival in Sydney, reports Peter Boyle.
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