Barry Healy reviews a social satire set at a Jewish wake in New York City.
Film & theatre
Barry Healy reviews a new play that delves into the intricate, complex and terrifying history of white settlement in Western Australia.
Gunpowder Milkshake mixes intricate fight scenes with a slick, retro, neon-inflected look, writes Barry Healy.
Barry Healy reviews Tove, a film about Swedish-speaking Finnish artist, cartoonist and novelist, Tove Jansson, the creator of the popular children’s cartoon series Moomin.
A new adaptation of Chekhov's The Cherry Orchard is analogous to the contemporary Australian context, writes Janaka Biyanwila.
Barry Healy reviews The Last Horns of Africa, a documentary about preventing the poaching of wild rhinoceros.
The wildly hedonistic Berlin club culture is celebrated in a new documentary, focusing on the lives of three of its most famous bouncers. Barry Healy reviews the film.
Barry Healy reviews a new film about the industrial mercury poisoning of a Japanese village and the photographer who exposed the story to the world.
Barry Healy reviews Lapsis, a sci-fi film in which gig economy workers are manipulated into competing with each other — and with robots — to make a living.
Paul Gregoire reviews a new the ground breaking four-part documentary series that puts genocide at the core of the western expansionist project.
Barry Healy reviews My Name is Gulpilil, a testament in film to David Gulpilil's triumphs as an actor and traditional dancer as well as his suffering.
For five nights in May, three locations around Warrane (Sydney Cove) will be transformed with images, music and stories of the lives and resistance of Sydney’s Black, queer and grassroots communities, writes Rachel Evans.
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